The National Endowment for the Humanities has Selected UNT Libraries for a Sixth Round of the National Digital Newspaper Program

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Posted by & filed under Featured, Grants, National Digital Newspaper Program, Texas Digital Newspaper Program.

UNT Libraries are pleased to announce that the National Endowment for the Humanities has selected us for a sixth, two-year cycle of the National Digital Newspaper Program (NDNP), to digitize Texas newspapers on the Library of Congress’ Chronicling America website.

For Texas, participation in NDNP has offered an unprecedented opportunity to represent the state on a national level, through its newspaper publishing history. 

This award is for $208,888 and will build access to an additional 100,000 pages of Texas newspapers on Chronicling America, to spotlight community identity in Texas.  For this round, we are looking to digitize further years of El Paso and San Antonio titles, with the goal of expanding their availability up to and beyond 1925, depending on the choices of the Texas advisory board. Both El Paso and San Antonio saw significant changes in the civil rights conversation, even while the U.S. underwent recovery from WWI, experienced the Great Depression, and fought in WWII. These cities were significant population centers where voices of diverse groups amplified to navigate an increasingly globalized world. 

In addition to adding the newspapers to Chronicling America, where Texas identity can be preserved in the context of other state newspapers, we will also add these newspapers to  the Texas Digital Newspaper Program (TDNP), on The Portal to Texas History. All of the newspapers available in Chronicling America and TDNP are freely accessible and can be used broadly for activities including research and education. As a result, we try continually to inform teachers and students about the importance of newspapers as windows into history.

Chronicling America is a partnership between the National Endowment for the Humanities and the Library of Congress in an effort to build a nationwide, open-access repository of digitized historic newspapers.

To learn more about Chronicling America, the National Endowment for the Humanities and the Library of Congress, visit their social media sites! 

 


 

                                           

Remembering Tulsa: Perspectives from Three African American Newspapers, Past and Present

Posted by & filed under Featured, General, Texas Digital Newspaper Program.

As we digitize more newspapers, we can read across time for viewpoints represented across multiple newspaper titles.  Access to the digitized versions of historic newspapers ensures that we will not forget and cannot hide history.  In this blog post, we offer editorials and stories from three titles, discussing the Tulsa race massacre: The Dallas Express, The Houston Informer, both from June 1921, and the San Antonio Register, from February 2000.

From June 11, 1921, The Dallas Express published, “The following comments

on the Tulsa tragedy . . . worthy of note for the different sentiments expressed by their authors.”  This presents editorial commentary from The Tulsa Daily World, The Dallas News, and The Dallas Times Herald, printed side-by-side, to show how different editors absorbed and discussed the events.  The Express also expands upon the rape story that had sparked the riot, with the caption, “Whole Truth Not Told.”  

The Houston Informer, from June 11, 1921, asks, “Where is the Old Law, Anyhow?” Delving into the dangers and consequences of ignoring law, order, and the constitution to castigate the “reign of lawlessness in this country [that] is wholly and solely responsible for the inter-racial
conflict . . .” and advocating for “respect for law and order to put an end to ruthless mob violence.”  

Bernice Powell Jackson, in the February 3, 2000, issue of The San Antonio Register, explores attempts to cover up the entire history of the massacre. “The story of the Tulsa race massacre was almost lost as whites intentionally hid the truth–even that scandalous newspaper front page calling for a lynching was removed from all files and as African Americans were fearful of telling what had happened, afraid that history might repeat itself.”  Jackson’s article celebrates the formation of the Tulsa Race Riot Commission and discusses the commission’s goals for supporting survivors and their descendants after this traumatic and tragic event.  

Contemporaneous newspaper stories about the massacre compare it to the German invasion of Belgium during the First World War.  Learning from these voices is why we preserve, digitize, and build access to newspaper histories.

The Gonzales Inquirer

The Gonzales Inquirer terms for advertising.

Posted by & filed under Featured, General, Grants, National Digital Newspaper Program.

The UNT Libraries’ Digital Newspaper Unit has digitized historic issues of The Gonzales Inquirer for Chronicling America, the Library of Congress’s repository of historic American newspapers. The UNT Libraries have received National Digital Newspaper Program (NDNP) grants from the National Endowment for the Humanities (NEH) to contribute Texas Newspapers to Chronicling America. The 2016-2018 award cycle focused on non-English newspaper content and newspapers published in Texas before the Civil War. The Gonzales Inquirer is also available on The Portal to Texas History as part of the Texas Digital Newspaper Program.
Sarah Lynn Fisher, UNT Libraries’ Project Coordinator for the NDNP-Texas grant, prepared this essay, which was edited by Leah Arroyo, Program Analyst at the NEH’s Division of Preservation and Access.

The Gonzales Inquirer was the first newspaper in Gonzales, Texas, and remains one of the oldest continuously operating newspapers in the state. S.W. Smith, previously a newspaperman in Alexandria, Louisiana, and D.H.S. Darst, an original member of the DeWitt Colony, a settlement in Mexican Texas, published the first issue on June 4, 1853. It states their reasons for publishing: only one other town along the Guadalupe River had a press at the time, and the two men saw a great need for “speculation on affairs of State,” as well as for advertising the “immense importations” of goods to a “large populous, wealthy county” — in 1853 the population stood at nearly 1,000 people, up from roughly 400 the previous year — “unsurpassed for beauty of scenery, fertility of soil and salubrity of climate in the State of Texas.” Noting the appetite of the region’s wealthy farmers for imported goods, advertisers from New York and New Orleans purchased space in the paper.

In their first editorial, Smith and Darst also detailed the great trouble they encountered bringing the press to Gonzales, in what was then a newly established frontier state. The type had to be “hauled over a hundred miles of very bad road … immediately after the fall of very heavy rains.” When it arrived, it included a box of the wrong front, and additionally, “several letters of the alphabet were missing.” Once the mistake was rectified, the publishers were able to print their first issue: a six-column, four-page broadsheet measuring 24 by 36 inches that came out on Saturdays. The masthead proclaimed the publication to be “Open To All Parties—Controlled By None.” The publishers set the subscription price at $3.00 per year.

The Inquirer continued with these specifications for many years. Although initially asserting to be independent in politics, by 1869 the paper had declared itself to be Democratic. After a short time, Darst sold his interest in the paper to Smith, who remained the editor and publisher for 25 years. Editor Carey J. Pilgrim increased the paper’s prominence in the state at the end of the 19th century: around 1870 the paper had approximately 700 subscribers; circulation rose to 1,000 by the turn of the century. By 1884, Pilgrim was the owner of the Inquirer and ushered in a new era by offering a junior partnership to an apprentice, Henry Reese, Jr. In 1887, D. L. Beach bought a half-interest in the paper from Pilgrim and continued as a partner with Reese, Jr., until Beach’s death in 1906.

The Reese family owned the paper for nearly 100 years and were involved with many economic activities in the town of Gonzales. Several members of the Reese family served as editors and publishers, including Reese, Jr.’s, half-sister Anne Reese; his wife Otelia Reese, who took over as publisher following his death in 1923; and their sons, Henry Reese, III, and Edward Reese. In 1991 the paper was bought by the Guadalupe Valley Publishing Company.
The Gonzales Inquirer has continued publication under the same name, except for a brief time around 1876 when it merged with the South-Western Index [LCCN: sn85033351] to become the Inquirer-Index. By 1877, however, the paper resumed as a separate publication. A daily edition [LCCN: sn83004780] published by Reese, Jr., and Beach, began on June 1, 1897, as a four-page, five-column paper. It eventually expanded to eight columns and six to ten pages and included a daily wire service.

For more information about the National Digital Newspaper Program, you can visit the NEH NDNP page.

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References
Gonzales County Historical Commission. (1986). The History of Gonzales County, Texas. Curtis Media Corporation
Hardin, S. L. (2010, June 15). GONZALES, TX. In HANDBOOK OF TEXAS ONLINE. Retrieved from https://tshaonline.org/handbook/online/articles/hfg06
Smith, S. W. & Darst, D. H. S. (1853, June 4). Salutatory. The Gonzales Inquirer, 2.

Freie Presse für Texas added to Chronicling America

Posted by & filed under Grants, National Digital Newspaper Program, Texas Digital Newspaper Program.

Freie Presse fur TexasThis month we are highlighting another newspaper title digitized by the UNT Libraries’ Digital Newspaper Unit for Chronicling America, the Library of Congress’s repository of historic American newspapers. The UNT Libraries have received National Digital Newspaper Program (NDNP) grants from the National Endowment for the Humanities to work with the Library of Congress in building access to historic Texas newspapers. The 2016-2018 award cycle focused on non-English newspaper content. Freie Presse für Texas is also available on the Portal to Texas History as part of the Texas Digital Newspaper Program.

This essay was prepared by our Digital Newspaper Unit student assistant and recent UNT graduate, Tanya Spence, and Sarah Lynn Fisher, project coordinator for the NDNP Texas grant.

On July 15, 1865, August Siemering and Company published the first issue of Freie Presse für Texas in San Antonio, Texas. The company also founded the long-running English-language paper The San Antonio Express that same year. In 1851 Siemering emigrated from Germany and settled with roughly 100 other supporters of recent European revolutions in Sisterdale, Kendall County, Texas, where he was also involved in teaching and antislavery activism in addition to journalism (Gold 2016). The immigrants who settled in Sisterdale, known as Forty-Eighters, shared liberal political views, including support of abolition (Lich 2019). These principles were reflected in the Freie Presse’s reporting and editorials. The Freie Presse became a leading Republican paper in the Democratic South, endorsing Ulysses S. Grant for president in 1868. Along with advertisements for local San Antonio businesses, the paper covered a wide range of topics that increased its prominence and circulation, including national news, immigration concerns, and serializations of German novels and magazines. With issues printed almost entirely in German, the Freie Presse served the increasing number of German speakers in south Texas, especially San Antonio, after the Civil War (Donecker 2016).

Throughout its run, the newspaper was issued weekly, semi-weekly, tri-weekly and daily. While owned by Siemering and Company, the five-column, four-page tri-weekly paper sold for $7 per year, while the eight-page weekly paper sold for $3 with a peak circulation of 2,250 and 600, respectively, in 1876. In 1877, the Siemering sold the Express and ownership transferred to H. Schultz and Company. Seven years later, editor Robert Hanschke began managing the publishing company. In N. W. Ayer and Son’s 1893-1894 Newspaper Annual, Hanschke’s company campaigned for advertising space, claiming the Freie Presse to be “undoubtedly the largest circulation of all the German papers in the State and the best advertising medium.” In 1900, Hanschke became the President of the Texas Free Press Publishing Company and continued both the four-page daily and 16-page weekly editions of the newspaper. After a two-year suspension of publication, the daily edition was reinstated in 1916 at a cost of $6 per year. The newspaper claimed to be politically independent.

Robert G. Penniger, former cofounder of the Fredericksburg Publishing Company, bought the Texas Free Press Publishing Company in 1920 and merged the Freie Presse with the Lavaca County Nachrichten in December 1926 and the La Grange Deutsche Zeitung in June 1927 (Kohout 2019). Penniger edited the paper until his death in 1930, at which point editorial duties shifted to Gotthelf Frederick Neuhause. Due to anti-German sentiments during World War II, many German newspapers in Texas suspended publication. After a run of eighty years, the final issue of the Freie Presse was published on October 28, 1945 (Daughters of the Republic of Texas 2008).

For more information about the National Digital Newspaper Program, you can visit the NEH NDNP page.

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References

Daughters of the Republic of Texas Library at the Alamo. (2008, October 31). Germans in San Antonio: Freie Presse fur Texas. Retrieved from https://drtlibrary.wordpress.com/2008/10/31/germans-in-san-antonio-freie-presse-fur-texas/

Gold, E. (2016, May 6). SIEMERING, AUGUST. In Handbook of Texas Online. Retrieved from https://tshaonline.org/handbook/online/articles/fsi06

Lich, G. E. (2019, October 15). FORTY-EIGHTERS. In Handbook of Texas Online. Retrieved from https://tshaonline.org/handbook/online/articles/pnf01

Doecker, F. (2016, April 18). SAN ANTONIO FREIE PRESSE FUR TEXAS. In Handbook of Texas Online. Retrieved from https://tshaonline.org/handbook/online/articles/eeswm

Kohout, M. D. (2019, May 4). PENNIGER, ROBERT G. In Handbook of Texas Online. Retrieved from https://tshaonline.org/handbook/online/articles/fpe28

 

Pick Your Own Path: The Magic Continues

Posted by & filed under General, Texas Digital Newspaper Program.

The Digital Newspaper Unit’s own Sara McNiel worked hard all week to complete this blog post for you. Please enjoy!

 

After getting to see some famous faces, you start to like this new circus and grow even more eager to see what else it holds. You and your brothers navigate your way through the circus grounds, taking in every smell of the circus food and popcorn, every sound from the unfamiliar people laughing and cheering, and every sight of a new beautiful circus tent everywhere you turn. You might as well enjoy these exciting sights and adventures while you find your way back through the circus. What do you do?

  1. Decide to watch a mystery unfold?
  2. Watch a very special ballet?
  3. Go see the Queen of the ‘Hight’ Wire?

 

 

 

Choice 1 – Watch a mystery unfold

While you and your brothers head towards the animal exhibits, hoping to see some beautiful elephants, you notice that there are far fewer elephants than the newspapers said there should be. Next to the giant empty cages where the elephants would have been, you see a group of reporters, policemen, and detectives. What on earth is going on? Without drawing any attention to yourself, you inch closer to them, hoping to eavesdrop on their conversation. “The elephant murderer is on the loose. He’s already killed 10 elephants, who knows what he’ll do next,” you heard one of the detectives say. “We need to look for clues to find out who this guy is and catch him.” You run back to your brothers to fill them in on what you just overheard, telling them it’s exactly like what you’d heard happened in Atlanta. Intrigued by this mystery, you and your brothers decide to search the circus and catch him yourself. How cool would it be if you were able to find this mysterious elephant murderer and save the day?

 

 

 

 

 

 

 

 

 

Choice 2 – Watch a very special ballet!

As you and your brothers continue to walk through the circus searching for new attractions, you stumble across a giant poster posted on one of the circus tents. ‘Come see the magical performance, The Ballet of the Elephants!’ the poster read. Elephants performing ballet? You’ve never heard of such a thing! After convincing your brothers that this will be the only chance you have to see such unique and talented elephants, you all run inside the tent and wait for the show to start. A spotlight from above finally shines on the stage in the middle of the tent, revealing a large orchestra. You feel a little silly as you realize that the elephant ballet by George Balanchine doesn’t really have any elephants attired in pink tutus, and you silently try to figure out how to explain this to your brothers after the show ends.

 

 

 

 

 

 

 

 

 

 

 

 

Choice 3 – See the Queen of the ‘Hight’ Wire!

 

A tall green circus tent reaches high up into the blue sky above, towering over everything else in the circus. What could possibly be so tall that it requires a tent of such unbelievable height? You lead your brothers into this mysterious emerald green tent, not sure what to expect. Inside there seems to be nothing but a crowd of people oohing and aahing, all looking up towards the top of the tent. “It’s the Queen of the Hight Wire!” you hear someone in the crowd shout. When you look up to see what the commotion is about, you see a thin wire tied against two towering poles, stretching across the tent. On the wire balances a woman, dressed in a shiny green leotard, the same emerald shade as the tent. You watch in amazement as she balances, one foot in front of the other, making her way across the wire. Right as she reaches the end of the wire, she lifts up one foot and rises to her tippy-toes on the other. Spinning around on the wire, she puts her other foot back down and begins to walk back on the wire the other direction. With nothing to keep her from falling, you and your brothers are shocked to see someone so brave and talented to balance on such a high wire. “Wow,” you say out loud. “She really is the Queen of the Hight Wire.”